Take all away from me, but leave me Ecstasy,

And I am richer then than all my Fellow Men -

 

-Emily Dickinson-

DANSKERN 2dance2gether

 

1990  ZIGGURAT   

1991  CYCLE & PIECES   

1992  LOVELINES

1993  SUR PLACE

 

 

Premiered as separate programs

Toured in mixed combinations 

 

 

'Strikingly clear dances...'     

'Duets and solos of deep emotional charge...'

'2dance2gether penetrates into the core of dance...' 

'Top class modern dance and choreography...'

 

 

A SEAT ON CLOUD NINE  1990

 

Choreography: Adriaan Kans

Music: Enrique Granados: Danzas Espanolas: Minueto, Oriental, for piano.

 

Two dance poems, one sparkling with bravado, the other with tender playfulness.

Celebrating my reborn bliss in the creative, focused work with my inspiring dance partner Maureen Krumeich.

Both equally dedicated to the work, supportive of each other's growth as mature dance artists.

Like drinking every day through parched lips from a rejuvenating fountain. 

 

 

 

 

 

BEING (1969)

 

Choreography: Elizabeth Dalman

Music: Ian Cugley (1945 - 2010)

Staged by: Elizabeth Dalman 

 

THIS TRAIN (1965)

 

Choreography: Elizabeth Dalman

Music: 3 songs by Peter, Paul and Mary:

Motherless Child, All My Trials, This Train

Staged by: Elizabeth Dalman

 

LITANY (1982)

 

Choreography: Adriaan Kans

Music: Béla Bartók: Suite opus 14 (sostenuto, allegro molto, sostenuto) for piano

 

On the wall in chalk is written: 'They want war'. 

He who wrote it, has already fallen.

(Bertolt Brecht)

 

All wars are bankers' wars.

And for us deplorable useless eaters, it's devastation, misery, or cannon fodder glory.

ME, EGON  1990

 

Choreography: Adriaan Kans

Music: Johann Sebastian Bach: Suite nr.2 in d minor (prelude, allemande, courante, sarabande, menuet, prelude) for violin

 

An evocation of the life and work of the Viennese painter Egon Schiele (1890-1918).

The struggle between eroticism and death lacerates the form in the compositions of Egon Schiele.

Lacerated the social order of his day.

Is it this fundamental theme that makes Schiele’s art seem so relevant today?

 

 

 

 

 

 

 

 

CLOUDS OF ALMOST EVENING  1990

 

Choreography: Adriaan Kans

Music: Piet Ketting: Interludium (from Preludium, Interludium e postludium per due pianoforti)

 

Sometimes violent, sometimes serene was our life’s motion.

Remembrance blends with desire.

Inevitably night swallows up our body.

And we write our dreams in the starry sky.